Robert Ramirez is the new head of the Carnegie Mellon University School of Drama. Ramirez joins CMU from the Department of Theatre and Dance at the University of Texas at Austin (UT), where he served as professor and chair.
Ramirez joined UT in 2014 as associate professor and head of acting. He later was named professor of acting and, in 2016, became head of the Performance Division. He was named senior associate chair and Interim chair of the Department of Theatre and Dance prior to his appointment as department chair in March 2020. During his tenure as chair, Ramirez brought his extensive professional career experience to bear, in order to benefit the student experience, as well as benefit the roles of faculty and staff in the department. He worked to transform hiring practices at UT, resulting in the addition of five full-time tenure-track faculty members of color in the last two years. He also created the role of a department intimacy director, who addresses production needs, as well as curricular and pedagogical imperatives.
Prior to his roles at UT, Ramirez was at the University of Illinois at Urbana-Champaign, serving as an associate professor of acting, voice, speech and dialects. He also was an adjunct professor of voice and speech for the stage at Marymount Manhattan College in New York City; he served in a similar role at the American Musical and Dramatic Academy in New York City.
Ramirez has long been a part of the professional theater industry as well. He has worked as a professional voice artist; voice, text and acting coach; director and actor. His research interests lie in the areas of Shakespeare and classical theater, contemporary acting practices, voice and speech pedagogy, and recorded voice artist practices. He completed his undergraduate studies at the Los Angeles Theatre Academy at Los Angeles City College and earned his MFA at the University of Delaware's Professional Theatre Training Program.
A strong believer in giving back, Ramirez intends to continue his service to the community, the university, the profession and, most importantly, the School of Drama at Carnegie Mellon. Throughout his career, he has extended his reach as an academic and theater professional to help raise awareness of the power of the arts.
